The Cure - Close To Me [The 2 Rares Closest Mix] Video

WhoDJVlooXchannel
Time10 min
Rating4.88/5
Views: 19249
Rated41
1985's "Close To Me" by The Cure. A video remix tribute enjoyed with the 2 Rares UK 12" Mixes from the Original & the Alternative version for one of my favs band of all time. Hope you'll enjoy it too.:)
Review.- The Cure are an English rock band that formed in Crawley, Sussex in 1976. The band has experienced several lineup changes, with frontman, guitarist and main songwriter Robert Smith (born April 21,1959) — known for his iconic wild hair, pale complexion, smudged lipstick and frequently gloomy and introspective lyrics — the only constant member. Originally called the Easy Cure, the band was formed in 1976 by schoolmates R. Smith (vocals, guitar), Michael Dempsey (bass), and Laurence "Lol" Tolhurst (drums). Initially, the group was playing dark, nervy guitar pop with pseudo-literary lyrics, as evidenced by the Albert Camus-inspired "Killing an Arab." A demo tape, featuring "Killing an Arab," arrived in the hands of Chris Parry, an A&R representative at Polydor Records; by the time he received the tape, the band's name had been truncated to the Cure. Parry was impressed with the song and arranged for its release on the independent label Small Wonder in December 1978. Early in 1979, Parry left Polydor to form his own record label, Fiction, and the Cure was one of the first bands he signed to the label. "Killing an Arab" was re-released in February of 1979, and the Cure set out on their first tour of England. The Cure's debut album, Three Imaginary Boys, was released in May 1979 to good reviews in the British music press. Later that year, the group released the non-LP singles "Boys Don't Cry" and "Jumping Someone Else's Train." That same year, the Cure embarked on a major tour with Siouxsie and the Banshees.
The Cure released their debut album Three Imaginary Boys in May 1979. Due to the band's inexperience in the studio, Parry and engineer Mike Hedges took control of the recording.
In 1982 The Cure recorded and released Pornography, the third and final album of an "oppressively dispirited" trio that cemented the Cure's stature as purveyors of the emerging gothic rock genre. Despite the concerns about the album's uncommercial sound, Pornography became the band's first UK Top 10 album, entering the charts at #8.

Parry was concerned at the state of his label's top band, and became convinced that the solution was for The Cure to reinvent its musical style. Parry managed to convince Smith and Tolhurst of the idea; Parry said, "It appealed to Robert because he wanted to destroy The Cure anyway." With Tolhurst now playing keyboards instead of drums, the duo released the single "Let's Go to Bed" in late 1982. While Smith played the single off as a throwaway "stupid" pop song to the press, it became a minor hit in the UK, reaching number 44 on the pop charts; but was a big hit in Australia, reaching #15. It was followed in 1983 by two more successful songs: the synth-based "The Walk" (UK #12), and the jazz-influenced "The Lovecats," which became the band's first UK Top 10 reaching #7. They released these studio singles and their b-sides as the compilation album Japanese Whispers, designed by Smith for the Japanese market only, but released worldwide on the decision of the record company. The same year, Smith also recorded and toured with Siouxsie & the Banshees, contributing his writing and playing skills on their Hyaena and Nocturne albums, as well as recording the Blue Sunshine album with Banshees bassist Steven Severin as The Glove.
In 1984 The Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums --played by Andy Anderson-- and the saxophone --played by returnee Porl Thompson. The album was a Top 10 hit in the UK and was their first studio album to break the Billboard 200 in the U.S. reaching #180.
In 1985, the new lineup—Smith, Tolhurst, Gallup, Thompson, and Williams—released The Head on the Door, an album which managed to meld the melodic and pessimistic aspects of the band they had previously shifted between. The Head on the Door reached #7 in the UK, made the Top 20 in several European charts and in Australia, and was the band's first entry into American Top 75 at #59, a success partly due to the international impact of the LP's two singles, "In Between Days" and "Close to Me". Following the album and further world tour, the band released the singles compilation Standing on a Beach in three formats (each with a different track listing and a specific name) in 1986. This compilation made the US Top 50, and saw the re-issue of three previous singles: "Boys Don't Cry" (in a new form), "Let's Go To Bed" and later "Charlotte Sometimes".
The Cure's popularity increased as the decade wore on, especially in the United States, where the songs "Boys Don't cry", "Close To Me", "Why Can't I Be You?", "Just Like Heaven", "Lovesong", "Pictures Of You", "Lullaby", "High" and "Friday I'm in Love" entered the Billboard Hot 100 charts.
Tags 12", 80's, alternative, close, closest, cure, me, mix, music, new, rares, robert, rock, smith, the, to, tribute, uk, video, wave




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